crit notes
sound, ambient, plumbing
text printed on the screen
hovering just above us, precesne
text, unresolved phrases
unclear, more context is needed to fuly understand
not negative, but desperate
snippets from conversations, dialogue
conversations between two people
capitalisation, speech to text
meditative, sterile, waiting room
ambiguous, unfamilliar setting to experience familliar/regular piences of text
artificial manipulation to what is being sourced or erferenced
inbetween space
audio is foreboding like a ship coming into the dck, blowing the horn. ominous barritonnal brequency
repetitive
multiple speakers in a circle, all consuming rather than individual
circle, non linear, wrapped in a process of movement, where do you begin. non linear, transiennt
sound in relation to the movement of the hangung pience as its twisting you can hear it groan. breathing
sound softly floating, reflectivem visual qualities soft, material, flowing, circle, inbetweeness,
circle seems to be central to the work, pipes, speakers encouragement to the idea of the centre
pipes being above you, in natural contexts they are usually below
strong visibility of the air
sound seems romanic
text as vignettes of life
tim hardy vanity torso
rise and fall of music, musica of transition, weddings, scores of music plaed inbetween, merging of music
back and forth of music and silence
white walls, liminal space, scary music
text feels anxiety driven, fragments of a conversation
feels like opposite spectrums, yes it is aanxious, but it is euphoric and comforting. dulaity and circularity of emotions
things are going wrong, the text is anxious and whispering
exhoing of the text in the materiality sd softness
belonging to a child, mobile, swing
organised sturdy knot
fly or curtains over a little girls bed
hoola hoop, fabric/ readymade hulahoop
really aware of the distortion of the hoop
there is a world above and we are below
spiritual
marrionette cross
restrictive movement
sound erases the anxiety you can now only read the harsh words in a peaceful way
sounds set the tone of the text, but the materials are capable of this independant of the music
the harshness of the ropes is not nice
feels inviting to walk within, but the text is not legible from within
better gauge of the text with distanc
Paul Knight tapestry
Jonas Mekas